Right here’s a idea: A combined metaphor is just what it sounds like—a combination of two unrelated metaphors.

. But the strength of a blended metaphor—like all metaphors—is its ability to delight and shock readers and to problem them to move outside of notions of “suitable” or “incorrect” metaphors.

Según la estructura y la manera en que se presentan los distintos elementos, existen distintos tipos de achievedáforas:

A metaphor asserts the objects while in the comparison are identical on the point of comparison, when a simile merely asserts a similarity by use of terms which include like or as. For this reason a typical-variety metaphor is normally regarded extra forceful than a simile.[14][fifteen]

“Este poema, laberinto de palabras”: Se establece la relación entre poema que es el término genuine y el laberinto que es el imaginario para establecer que el primero es difícil de entender.

The Philosophy of Rhetoric (1936) by rhetorician I. A. Richards describes a metaphor as possessing two parts: the tenor and the auto. The tenor is the subject to which characteristics are ascribed. The motor vehicle is the object whose characteristics are borrowed.

A root metaphor is the fundamental worldview that styles someone's knowledge of a situation

Aristotle writes in his operate the Rhetoric that metaphors make Mastering enjoyable: "To learn effortlessly is naturally nice to all men and women, and words and phrases signify a little something, so what ever phrases generate expertise in us tend to be the pleasantest."[24] When speaking about Aristotle's Rhetoric, Jan Garret mentioned "metaphor most brings about Finding out; for when [Homer] phone calls outdated age "stubble", he results in being familiar with and knowledge through the genus, because each previous age and stubble are [species in the genus of] things that have misplaced their bloom.

Una metáfora aposicional es un tipo de metáfora en la que aparece el término genuine y el imaginario separados por una coma. El orden en que aparecen puede variar.

An implicit metaphor has no specified tenor, although the automobile is current. M. H. Abrams gives the next as an example of an implicit metaphor: "That reed was as well frail to survive the storm of its sorrows".

Se trata de un procedimiento ampliamente utilizado tanto en el lenguaje literario (sobre todo en la poesía), como en el habla cotidiana, dado que sirve para imprimir a lo dicho una potencia mucho mayor que el habla directa.

Metafora (grč. μεταφορά, 'prijenos'; od meta, 'preko' i pherein, 'nositi')[1] skraćena je usporedba. Po njoj se ostvaruje prijenos značenja tako da se istakne jedna zajednička značajka iz jednog područja života i svijeta koja se po načelu sličnosti poveže s drugim područjem. To je stilsko izražajno sredstvo koje zamjenjuje stvarnu priču ljepšom pjesničkom slikom.

En la satisfiedáfora impura o very simple, el concepto true se more info identifica con el concepto imaginario, generalmente utilizando el verbo ser. Por ejemplo:

Avtorja ugotavljata, da metafora ni omejena na poetično in retorično rabo, temveč je z njo prepreden jezik v celoti, v njem se konvencionalne metafore združujejo v sisteme, ki temeljijo na sliki, zato te metafore zrcalijo delovanje človekovega kognitivnega sistema.